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African Art : Mary Sibande

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I met Mary Sibanda’s work during an exhibit at the SMAC Gallery, The Palms, in Woodstock Cape Town. As a Nguni Child, the narration of her work, the imagery & the concepts were familiar yet challenging to the eye. At first glance I was stricken by the image of a domestic worker, dressed in a Victorian gown.

Mary Sibande, SMAC, Cape Town, February 2022

My paternal grandmother, uGogo Themba, was also a helper who retired post 2010 & I always imagined how they must have looked up to the white women they served. These set of images/sculpture’s makes them the focus with a clear dash of royalty which is conversational.

She’s crocheting Superman’s shirt which is such a subliminal message on the labor of black women, on her super hero status, and how often our contribution to the development of societies is often overlooked.

Mary Sibande, SMAC, Cape Town, February 2022

The idea of a black women soldier leading a group of black women soldiers on horses, looked classic & futuristic at the same time. The sculpture’s make a black woman the Centre of leadership during wartimes, which is a very prevalent trait about Nguni women of the past. The story of black women leaders is always an additional story to that of the men so putting them in the forefront was interesting. The women are also very plump which is an interesting perspective from the artist.

Mary Sibande, SMAC, Cape Town, February 2022

The red lady with her dogs on an eternal leash was such a gripping visual. The whole room was filled with this beautiful lady’s red fiery personality, grip & reach. I had to sit down to digest. It was like nothing I had seen before really. All her pieces challenged my eye.

Mary Sibande, SMAC , Cape Town, February 2022

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“Three generations of Sibande women were employed as domestic workers in Apartheid South Africa, which Sibande references through Sophie’s blue and white uniform—a dress synonymous with the profession in South Africa” –

“Titled, In the Midst of Chaos there is Opportunity, this sculptural work features militarised figures which are also moulded form the artist’s own image. These figures speak to the artist memory of her father who was part of the military and denote a typical battlefield”

We are a group of young Africans with a deep desire to understand where we come from, how history has shaped our context and how we can reconnect to help build a better Africa for generations to come.

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